Things Get Painted: Lessons Learned from Black and White Painting
My most recent project wasn’t well thought out. At first it was meant to be a quick experiment with some skin tones and an attempt at a semi-noir look, and turned into a set of five models which I was really proud of. I also learned a lot about the process on the way. The less colours you use, the easier this gets The first model I did, Stone, used a total of nine colours. This was initially not an attempt at strict black and white, but I intended to try to use a pale skin tone I had heard about on Reaper Live during their Kickstarter launch, and do the rest in grey tones. As the progress went on, I started reusing colours until I only had nine at the end. It narrowed the colour range, but after a comment from a friend at PAX helping with the four-colour challenge, I decided to aim for 4 colours on the next few models, namely Dragon Black, Dragon White, Tempest Grey, and a flesh tone. Stone, the most colourful of the group. It may not be noticeable here,